Michalina Guevara

Introducing Regave, a typeface inspired by Danish style lettering based off the work of Knud Valdemar Engelhardt (1882–1931) who designed the street signs for the Copenhagen suburb of Gentofte. The Engelhardt's design was loosely based on the lettering of two Danish architects of the time: Thorvald Bindesbøll (designer of the Carlsberg logo) and Anton Rosen. The signs were so successful that they’re still in use today.

The most noticeable characteristic of Danish style are:

• a flat apex of the A
• the widening of diagonal terminals
• a double-storey g with its loop terminating before it forms the bottom most stroke (Erik Spiekermann coined this a Danish g)
• a single-story g with a stumpy tail
• a K with an almost laterally moved crotch, connected to the stem by an extra horizontal stroke
• widened diagonal connecting strokes forming flat apex or baseline strokes

Regave comes in 11 weights from Thin to ExtraBlack with matching italics and also available in Variable Font format for more flexibility in weight selection. This family also equipped with useful OpenType features such as Ordinals, Superscripts, Subscripts, Stylistic Alternates, Stylistic Sets, Proportional Lining, Standard Ligatures, Fractions, Numerators & Denominators. Each font has 490+ glyphs which covers Western & Eastern Europe, and other Latin based languages – over 200 languages supported!

Regave will be suitable for many creative projects. This masculine, strong and unique typeface will be suitable for logos, posters, presentations, headlines, lettering, branding, quotes, titles, magazines, headings, web banners, mobile applications, art quotes, advertising, packaging design, book title, and more!

Haworthia is a handwritten font. Its shape is inspired by self-titled succulent plant - the font has long and a bit swirled endings.

Haworthia provides multi-language support which includes cyrillic glyphs as well.

Introducing the new font Qillsey Einstein, a type of script that has a natural scratch texture. I made Qillsey Einstein by using a Japanese calligraphy pen that makes the impression seem natural. My font is complete with 3 Stylistic Sets which will make the writing more beautiful and charming.

This typeface is suitable for use in a variety of design fields, such as event advertisements, product promotions, book titles, activity titles, logos, adventure, and others. This font can when paired with serif font types will make your design project more beautiful and perfect.

I highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations.

This font is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor / application.

Thank you if you are interested in purchase and using my font. I hope you enjoy the font, thank you.

Nemorosa is a versatile font family.

Its design has a retro sweet sixties feeling with a geometric touch.

It comes in six weights and italics and a selection of alternates to mix-and-match and bring a different perspective to your texts and logos design.

Perfectly suited for publishing and display use.

A long time ago, I lived and worked in the English Lake District. When I first arrived there, I camped out not far from a neolithic monument called Castlerigg Stone Circle. Castlerigg Stone Circle is one of the most beautiful stone circles in the whole of Britain; the views are great and it makes for a nice walk from Keswick.

This rather grungy font was made with a Sharpie pen I initially wanted to throw away, because it was dry, but then decided I could at least get one more font out of it. The result is Castlerigg - a rather neolithic looking all caps font.

Castlerigg comes with double letter ligatures for the lower case.

Features:

• Palmer Lake Print: Uppercase letters, numbers, & extended punctuation
• Palmer Lake Script: Lowercase letters, numbers, & extended punctuation
• Non-English support for the international designer
• Same stroke thickness with each font, so you don't need to make any time-consuming adjustments to get it looking right!
• Palmer Lake Print (uppercase font) letters are the same height as the Script lowercase letters, so making quotes is super easy!

This is such a fun new duo, perfect for creating quotes, logos, or just adding a hand-written touch to any project!

While other fonts usually take some size adjusting to look just right, Palmer Lake duo has the same stroke thickness for both fonts, so you can set each font to the same size and you're done!

Plus, the uppercase letters of the Print font are the same height as the lowercase letters of the Script font (see the samples), so lining them up with one another is a breeze!

Each font also has alternates for each letter, so when you type uppercase or lowercase for each font, the letters will change slightly. For example, tying in all caps with the Script font will connect each letter, whereas typing all lowercase will disconnect each letter.

Test it out for yourself in the box above!

Conquera is an extended caps-only font in five weights plus an inline. It is refined and masculine without being heavy-handed - the angled stokes and pointed vertices lend it a stylish, upmarket Moderne poise. Suitable for man's grooming products, supercar showroom brochures, high-end developments, space vehicles and home technology. Letterspacing at small sizes adds extra sophistication. Includes an alternative A with a triangular crossbar and full international character set.